orange is the new black He played a major role in making Netflix famous for original content. The stars are vocal about how low their pay was and why it still matters today.
Michael Shulman published a damning roundup of interviews from the cast. New Yorker This week, just before the Screen Actors Guild officially joined the Writers Guild in its strike against the Alliance of Film and Television Producers. This joint strike has many implications, from AI to changes in streaming models, to how content companies such as Netflix and Amazon benefit from the people who actually create the content being left out of the equation. effectively shut down Hollywood over the concerns.
This does not simply mean that the actors and writers who appear on these shows have not bought multi-million dollar yachts like the company’s CEO, but as members of multiple, successful television careers paralleled. This means that you often have to do other work while working.of OINTB The performers said they did so while the show was in progress.
“People’s reaction will be like, ‘Oh my God, they love you on that show!'” But what are you doing here? ” OITNBSeven Seasons of ”, he talked about working in a bar while the show was airing. “It was this mistrust that staggered the attack.”
Emma Miles, who played Leanne Taylor, similarly continued her job at a financial firm, “appearing in a live simulation for aspiring financial planners,” and Lee DeLaria (Big Boo) paid the bills. I had to keep playing gigs to pay, and I remembered Matt McGorry (John Bennett). ) admitted that he’s been on the show “all the time,” meaning he’s been doing his day job for just over two seasons.
Programs produced for streaming are allowed to pay union members a lower rate than programs produced for network or cable television, and as is traditionally done on television, streamers are allowed to pay the actual Their refusal to share viewing data makes it difficult to change these rules. This lack of transparency has also contributed to the failure of the relegation negotiations.
In traditional television, labor unions such as the SAG and WGA have reserved a portion of the ongoing profits from their productions over the years for their members. Regardless, you only have to pay a certain amount. It’s something Kimiko Glenn (Brooke Soso) recently highlighted on an old TikTok that was re-shared, showing that she took a whopping $27.30 balance from the show.
It’s frustrating that a show so popular doesn’t pay its cast so well, but that may be partly canceled out as a risk for starting a new chapter in television.But then, considering the residuals, the fact becomes clear that things haven’t really changed for people other than the major stars lured by streamers with big salaries, and why OITNB The cast speaks up and tells why the SAG is on strike.
“They’re telling us, ‘Oh, we’re short on pennies, we can’t pay that much,'” recalls Beth Dover, who played Linda Ferguson in the series. “But then Netflix is telling shareholders that they are making more money than ever before.”
And that’s the point – at the end of the day, the profits from this show and the like go into someone’s pocket. It’s absurd that the rich should only get richer and those who actually made it should get their fair share.
A full synopsis of Shulman’s takeaways from his conversations with the cast can be found at: New Yorker.
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